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Prompt positivo: Ultra-realistic 8K architectural visualization, eye-level perspective of Tony Garnier’s utopian vision in Cité Industrielle (1901–1904). The city is meticulously structured around clearly defined urban functions — residential zones, industrial districts, and hospitals — each spatially separated to ensure a rational and hygienic urban order. Extensive public green spaces are strategically integrated to buffer and protect each sector, enhancing environmental quality and pedestrian freedom across the landscape.

The masterplan is governed by a strict orthogonal grid, composed of symmetrical arrangements and linear compositions. Housing units are white, standardized, and composed of primary volumes, arranged in equally dimensioned blocks that form a coherent urban fabric. Residential neighborhoods are organized into “islets” measuring 150 meters east–west and 30 meters north–south, subdivided into 15×15 meter lots. Only 50% of each lot may be built upon, allowing the remainder to become gardens and open space, ensuring fluid pedestrian circulation in every direction.

Public buildings are grouped at the heart of the city in three civic clusters: administrative and assembly services, cultural collections, and sports and performance venues. The administrative sector includes buildings for the City Council, public services, a justice court, commission rooms, laboratories, archives, and office headquarters. Assembly spaces comprise a large public hall for 3,000 people, a secondary hall for 1,000, two additional 500-seat auditoriums, and numerous meeting rooms for unions, societies, and civic groups.

Recreational and cultural facilities include an auditorium with semicircular seating, gyms, public bathhouses with pools, showers, massage rooms, rest areas, fencing halls, indoor tracks, restaurants, and sports courts. Cultural collection buildings house historical, artistic, archaeological, industrial, botanical, and commercial exhibitions, alongside a municipal library and rotating galleries.

Industrial zones are anchored by a major metallurgical factory located on the plain near nearby mining areas. Rail infrastructure is carefully planned: heavy traffic railways run along a plateau near the factories and city center, while long-distance rail lines are laid out as straight, high-speed corridors. Supporting these is a functional station district with communal housing, hotels, shops, platforms, and waiting areas.

A rigorous street hierarchy defines the city’s circulatory logic. The main east–west avenue originates at the railway station. North–south streets are 20 meters wide and fully tree-lined. East–west streets vary: some are 13 meters wide and unlandscaped, others 19 meters with trees on the south side only. The city unfolds across a mixed terrain of mountains, a broad plain, and a river, set in southeastern France.

Rendered in soft, natural daylight with high-fidelity textures in concrete, steel, stone, and vegetation. Cinematic framing emphasizes rhythm, symmetry, volumetric clarity, and the harmony between built structures and green space. The image captures Garnier’s proto-modernist utopia — rational, hygienic, socially conscious, and human-centered.

Prompt negativo: Low resolution, sci-fi or futuristic elements, post-apocalyptic decay, fantasy or medieval structures, organic or alien forms, bright saturated colors, tropical vegetation, human crowds, visible signage, neon lighting, cartoonish rendering, chaotic urban layouts, photobashing artifacts, or glass skyscrapers.