Principais características
Prompt positivo: Ultra-detailed 8K architectural visualization, eye-level perspective of Architectones by Kazimir Malevich, envisioned in 1923. The cityscape is a striking composition of geometric forms, adhering to an orthogonal system with strong vertical and horizontal dominances. Each structure is conceived as a pure spatial volume — abstract, minimal, and sculptural — evoking rhythm, repetition, and a dynamic sense of movement. The urban layout is not merely functional but symbolic, designed to express spatial mobility through carefully calibrated masses and voids. The architecture reflects Suprematist ideals, where spatial tension and balance replace ornamentation. Rendered with stark contrasts of light and shadow, sharp edges, and smooth surfaces, the atmosphere is contemplative and intellectual, resembling a visionary urban art installation. Visual emphasis on the interplay of white, gray, and black tones — reminiscent of Constructivist models — creates a serene and precise environment, rich in conceptual depth. Shot at eye-level for monumental impact, the composition uses rule of thirds and clear axiality to underscore the philosophical order embedded in Malevich’s utopian vision.
Prompt negativo: Low resolution, sci-fi elements, organic architecture, non-geometric shapes, futuristic neon lighting, crowded scenes, hyperreal facial features, cartoonish textures, fantasy structures.
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Características formais
Prompt positivo: Ultra-detailed 8K architectural visualization, eye-level perspective of Architectones by Kazimir Malevich, imagined in 1923. The entire urban composition is rooted in pure geometric form, with the cube as its foundational unit. Through the systematic repetition of this elemental shape, Malevich constructs volumetric urban landscapes marked by stark abstraction and visual clarity. Towering white structures rise vertically, transforming simple forms into monumental Architectones — each one an isolated, floating urban island, detached from any recognizable context or geographic grounding. These forms are stripped of function and location, existing in a conceptual void where only spatial presence matters. Rendered in a serene, minimal environment with soft diffused lighting and subtle shadows, the city appears suspended in space and thought. The scene evokes a philosophical purity, emphasizing spatial autonomy, rhythm through repetition, and the tension between mass and void. The palette is restrained — dominated by matte whites and gentle grays — heightening the sculptural quality of each object. Compositionally balanced using the rule of thirds and axial symmetry, this vision embodies Malevich’s Suprematist ideal of non-objective architecture, a city beyond place and time.
Prompt negativo: Low resolution, organic forms, sci-fi elements, naturalistic textures, bright saturated colors, recognizable urban context, futuristic architecture, human figures, hyperrealism, vegetation, decorative details.
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Todos os prompts anteriores.
Prompt positivo: Ultra-detailed 8K architectural visualization, eye-level perspective of Architectones by Kazimir Malevich, imagined in 1923. The urban landscape is a striking composition of pure geometric forms, adhering to an orthogonal system with pronounced vertical and horizontal dominances. The cube — fundamental unit of the composition — is systematically repeated to generate stark, volumetric cityscapes marked by austere abstraction and visual clarity. Towering white structures rise like monumental sculptural entities, each Architectone envisioned as a floating urban island — isolated, detached from any recognizable geography or function.
Every structure is conceived as a minimalist, abstract spatial volume, evoking rhythm, repetition, and a dynamic sense of movement. The layout is not merely functional but symbolic, expressing spatial mobility through meticulously calibrated masses and voids. This architectural vision aligns with Suprematist ideals, where spatial tension and compositional balance replace ornamentation.
Rendered with crisp edges, smooth matte surfaces, and dramatic contrasts of light and shadow, the atmosphere is contemplative and intellectual — resembling a visionary urban art installation suspended in thought. The subdued color palette, dominated by white, soft gray, and black, enhances the sculptural precision and philosophical purity of each form. Captured at eye level for monumental presence, the composition follows the rule of thirds and clear axial symmetry, embodying Malevich’s utopian vision of non-objective architecture: a city beyond place, beyond time.
Prompt negativo: Low resolution, sci-fi or cyberpunk style, organic or fluid shapes, bright saturated colors, traditional buildings, crowded scenes, vegetation, realistic urban context, human figures, postmodern elements, soft focus.
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